Wednesday, 22 October 2008

The Graduate, Mike Nichols, 1967, USA




->When he is driving in his car, we have sound that goes with whats actually happening on screen. What i mean is the strum of the guitar gets slower and eventually stops to show contrast with his car fading away. (it breaks down)
->When the wedding chapel is revealed to the audience there is a string of guitar. He tries to enter but the door is locked, when he runs around and up the stairs another strum is used. It is like the guitar is a frequent instrument used in the film and with every new hope that he has found the church, then found a new way into it a new strum happens.
->During the wedding scene where everyone is shouting at the main character Ben Braddock. Elaine looks around the hall in 1st person mode, sees everyone shouting at him, but there is no sound coming from there mouths. All we hear is Ben's shouting of her name in a frantic voice over and over. It's like all she can hear is his voice because thats what she cares about.
->Sound is muffled in some scenes because it relfects the main characters moods and his hearing. Like when he is at a party and all we hear is muffled voices. We are hearing what he is making to hear.

Scream, Wes Craven, 1996, USA (Looking at SOUND)


Diagetic sounds play a big part in horror films and they work together with the instrumental horror themes. The screechs, the beats and the thumps.

Opening title clearly depicts its genre, extreme thumping edgy music in opening title.
There are certain diagetic noises that at times to scare the audience are louder than they naturally should be. For example, certain related things like Cindy pulling out a kitchen knife, the doorbell, the fgas on the cooker. Certain things that will be important.

These are sounds known as "Visceral" - 'sounds that you feel, hits you loud/scary'
In one good scene of filmmaking, to contrast with the situation, the girl Cindy, has left the popcorn on the cooker, its popping up (loud noises) and its about to explode. At the same time she is on the phone to the killer and is breaking down, with the conversation we are waiting for the killer to appear and kill her or for something to happen. It's like the build up of tension and the popcorn bag is blown up and ready to explode. We could guess that when something happens or before something happens the popcorn will explode.

Monday, 20 October 2008

Evaluation of "The Meeting" production

In this production which consisted of Scott as the photographer, Dom as actor and myself as the other main actor we where to produce some sort of story using one shot photos. The title was called "The Meeting". So my main task was to produce a storyboard on what we will do.

I went for a personally classic idea of 2 people meeting up, ending in a face off and then left on a cliffhanger. However, my take on this is that there is mystery and suspense added because the shots taken show Dom looking bad and serious and in a hurry (Why?) and then there is me looking calm at 1st and as if i am waiting for someone, (who?).

The length of each shot varied as i made a video of the shots and put it with theatrical music. So some shots lasted 2 seconds, some lasted 3-4 seconds when showing more important scenes. They also synced quite well with the music like making some sort of still shot trailer.

The 1st shot is a medium shot of me leaning against a pillar outside a building. With this shot you cannot see as an audience what building i am at. It is then changed to a crane shot scene of Dom walking down a public path. We used a crane shot to get variety of shots and show his dominance on this lonely public path. Then a jump cut is used to show him slightly further up the road. A white flash appears at the beginning of each of these scenes to build up tension and go with the music. There is then a close up shot of me looking at my phone, this is to capture my reaction of this. Then a white flash fades in to Dom looking at his phone. However we used a tilt shot looking up to Dom because we wanted to show the "power" that this character has over us as a viewer.
We then use a basic transition of a bar dissolve after Dom's picture to change scene completely.

Then as the music builds into a beat, it fits in nicely with the next scene. Which is tension of Dom beginning to run down this path. We still used one shot photos but did it on quick capture flutter on the camera so it took lots of shots per seconds. We achieved this by using tracking on Dom, it showed movement. Between each single shot of Dom running, more white flashes are used for the tension building.

The next scene is a transitional effect of the screen exploding into bits to reveal a shot in 1st person view of my phone and a turning point in the story. This was done so the audience could read my message on my phone and ask who is it from? Dom?

Following this was the use of extremely close up shots of mine and Dom's faces to get the characters reaction to what they have just seen. I am shocked and Dom is stern. These images were edited and given a sepia tone which turns things a darker yellow type colour. Like an old photo. This is because i wanted to show that this scene is important to the characters as well as the audience and with a change of lasting colour it should be remembered.

Finally to get more camera shots and cinematography, I came up with this idea to show a stand off between the two characters facing one another from some distance. This was to be shot using depth of field into shallow focus and vice versa. It happened the opposite way around for each characters 3rd person view on screen. It builds the tension of a stand off and what will happen now? Depicts opposite sides. (good vs. evil etc)

After a "to be continued" which was added on the video, I replay the shot of the 2 characters faces split in half on screen. Once again contrasting character. It was edited with a paintbrush/comic affect that makes it seem everlasting. Like a painting.

Hope you enjoyed.

Wednesday, 8 October 2008

Speed,1994,USA, Jan de pont.

Plot:

A young cop must save the passengers of a bus that has a bomb set to explode if the bus goes below 50 MPH


Bus chace scene: Back of bus, poster, jump cut to back of bus but further away, tracking movement shot of girl chasing bus running, (it is all fast paced its called speed)


eyeline levels matching so it looks like your sat on bus.

contrasting - calm bus, guy driving fast6

Wednesday, 1 October 2008

Elephant, Gus Van Sant, 2003, USA

(Elephant - Everybody knows its there but wont admit it)
Genre: Crime, Drama

CINEMATOGROPHY (What i notice about it)

Scene opens with fixed shot of clouds and time passing by. Camera tracking follows trees to show movement, we are going somewhere. This is shown by the car which we are following from behind in another tracking shot. The next interesting scene invloves the camera stuck onto the car as he turns on the engine the camera rumbles. Then the camera must have moved to the right a bit.

We get a great view of the settings and surroundings from the wide landscape shots used. We see this a few times for a park woods, the sports field etc. But the story is also vague even with these understandings of the settings. (weird)Camera to follow characters is used a lot like you are the 2nd person with the characters. (Lots of diagetic noise) so more natural feeling.

> Lots of slow mo scenes which at 1st seem random but are actually relevant to key points in the story where different characters cross paths without knowing.
>Very natural scenes (light reflecting off of him like its our eyes/his eyes)
> Same scene but reverse camera angle again and again. (key points in story)
> Irony - Music of beethoven with guy playing shooting game. (strange characters)